The next step with the e-mando is to bend the lovely English walnut sides and
laminate them to the main core of the body.
Once the sides are in place, solid pieces of walnut are
fitted and glued in place to protect the potentially fragile points also the
end graft is fitted.
The body them gets a really good clean up and . . . . . . .
In parallel with the e-mando and I’m also making a rosewood
Standard (with a few extras!). So it make sense to work on both of the necks at
the same time. The spliced head joint is something that I do on all my
instruments.
You can see both necks have had the slots routed for the
carbon-fibre inserts.I’ve cut out pearl logos for both of them, although the
method of inlaying is different. This because of the nature of
the head overlays. The e-mando’s overlay is made up from layers of veneer and
is quite fragile until it’s glued to the head. So that’s done first.
The Standard has a thick single layer of rosewood and it’s
easier to cut right through this overlay, before gluing to the head!The Standard has some lovely Indian rosewood for tis back
and sides. When I buy tonewood I always write the date on it when it arrives in
the workshop and it often surprises me how long I keep it before using it: as
you can see in the photo below, I’ve had this for almost 14 years! Yes, it is
well seasoned!
The sides are bent, neck and end blocks fitted and my double
thickness solid linings glued in.
