I’ve made up the neck blank and you can see that I’ve used Brazilian rosewood for the head overlay. The inlay is from black pearl; I like its subtlety; in some lights, it disappears into the wood! The neck itself is maple with a rosewood core, you can see that I’ve started to carve the volute.
I cut up a billet to use for the fretboard and was really surprised by the bright rose-pink colours (is that why, along with its sweet, sickly smell, someone named it “rosewood”?).
Quite a spectacular pieces of wood, although the colours will tone down over time, I’ll have to decide whether it’s a step too far!





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