Firstly, why twin-point and not two-point like other
luthiers call their pointy mandolins? Quite simple really, my shape is
symmetrical, each half of the body mirroring the other, so “twin” makes perfect
sense to me!
I built my first twin-point mandolin back in 2007 and have made
14 instruments to this particular shape. When I look back, there have been
quite a few changes; at least three bridge designs, three head shapes, the heel
shape, tailpiece design and some of the internal structure.
As, I haven’t made a twin-point for a while, I feel it’s
high-time to make one. A few months ago, whilst having a bit of a workshop
clear-out, I threw out my original external mould, (used for constructing the rim)
as it was getting tatty from use and being modified. This was a deliberate decision,
as getting rid of the old one means that I have to construct a new and better
one, incorporating the mandolin building experience that I have gained since 2007.
So, as I’m starting with a new external mould and wish to
incorporate all that I’ve learnt, since I built that first one, it seems
appropriate to think of this one as “The Next Generation”.
Here’s the new external mould, although the mandolin’s player
never knows anything about this, it’s the crucial foundation to a successful
and accurate build. You’ll see it in action as the build progresses………..