I’M GARY NAVA, A PROFESSIONAL LUTHIER MAKING MANDOLINS AND GUITARS BY HAND, TO THE HIGHEST STANDARDS, IN MY ANALOGUE WORKSHOP. HERE ARE VARIOUS TALES FROM MY WORK BENCH.
Sunday, June 17, 2012
In The White
This
week, before any polishing takes place, I got Alan’s twin-point playing (and
very nice it is too!). Once I’m happy with the way the mandolin plays, I take
it apart again and start the finishing process.
Regular
blog followers will know that this process starts with grain filling. It never ceases
to amaze me how well pumice works as a filler. You can see quite clearly how
deep the grain is in cocobolo.
And
here it is after being filled.
Good eh? Of course the grain isn’t just filled
up with the pumice. Pumice is a fine abrasive, so whilst you are rubbing it
in, it picks up fine dust from the wood and also the shellac sealer coat. The
meths (or alcohol if you’re reading this outside the UK!) also picks up the natural
dye from the wood which colours the pumice else you’d see white filler in the
grain.
I
thought that I’d just high light this video that Phil (Hare) uploaded recently- you must
check out his other videos, if you haven’t already. He really is quite a remarkable
player!
Hi, I make mostly mandolins and guitars, entirely by myself and by hand. Although I’m based in the Norfolk Fens, my instruments can be found all over the world. I made my first guitar when I was 14 and during the 1970s studied luthiery at the prestigious London College of Furniture. I’ve been making them ever since!
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