I’M GARY NAVA, A PROFESSIONAL LUTHIER MAKING MANDOLINS AND GUITARS BY HAND, TO THE HIGHEST STANDARDS, IN MY ANALOGUE WORKSHOP. HERE ARE VARIOUS TALES FROM MY WORK BENCH.
Sunday, November 18, 2012
Fitting a Headway mandolin transducer
This week I completed the installation of the Headway
transducer into a Breedlove mandolin. Here’s the pre-amp; you can judge its size compared to the
tailpiece.
The real tricky part of installing a pick-up like this is that everything is fitted from the inside and it’s virtually impossible to work through such a small sound hole. I find that a piece gardening wire is very helpful for pulling components through.
After, who knows how many frustrating attempts, you can’t belief how satisfying it is to poke a wire through a hole!!
Here you can see how it’s routed through the new bridge.
And the finished job- who’d know that anything had been done? There’s no doubt that these Headways produce a very good amplified sound and they are my pick-ups of choice.
I thought that you might also like to see these pictures of
John’s twin-point, I‘ve just completed the purfling and bindings and it’s
looking rather good!
I’ve also been doing this customising job on a Breedlove mandolin; it’s quite a cute little instrument. I’ve re- dressed the frets, Breedlove uses large frets so there’s plenty of room to re-dress them before a re-fret is needed.
It’s owner wants a Headway under saddle transducer fitted, so
I’ve made a bridge similar to the ones that I use on my own mandolins although
it has to be a little wider to accommodate a 2.5 mm wire being threaded through
it. With bridge in place, I file the bone saddle to get the action and the
intonation spot on. I know that there are millions of mandolins out there with that
typical staggered wooden bridge, but it’s beyond me how you can get the
intonation spot on with one of those. The mandolin is now strung up and I’ll
let it settle down for a few days to ensure that the bridge doesn’t move and
I’ll fit the pick-up next week……
This week has mainly been about getting Sean’s twin-point
and James’ Standard Plus completed and ready to ship. And I must admit that I
am very pleased with them both.
So here is Sean’s; I’ll let the photo’s speak for
themselves.
And here is the first Standard Plus that goes off to James.
Hi, I make mostly mandolins and guitars, entirely by myself and by hand. Although I’m based in the Norfolk Fens, my instruments can be found all over the world. I made my first guitar when I was 14 and during the 1970s studied luthiery at the prestigious London College of Furniture. I’ve been making them ever since!