I’M GARY NAVA, A PROFESSIONAL LUTHIER MAKING MANDOLINS AND GUITARS BY HAND, TO THE HIGHEST STANDARDS, IN MY ANALOGUE WORKSHOP. HERE ARE VARIOUS TALES FROM MY WORK BENCH.
Wednesday, August 22, 2018
Rigid Neck Joint
I’ve always believed that the neck joint, on a fretted
instrument, should be as rigid as possible. The aim of the game is to ensure
that the kinetic energy, from the movement of the player’s hand, is converted
as efficiently as possible into sound. Making the neck joint rigid, is one step
to ensure that energy is not absorbed into the instrument itself. I’m sure
there are many who will disagree with me, but those are my views.
The walnut archtop’s neck has now been affixed to the body
and in these two videos (parts 1 & 2) you’ll see the lengths that I go to
ensure the neck and body are as one (or as close to that as possible).
Hi, I make mostly mandolins and guitars, entirely by myself and by hand. Although I’m based in the Norfolk Fens, my instruments can be found all over the world. I made my first guitar when I was 14 and during the 1970s studied luthiery at the prestigious London College of Furniture. I’ve been making them ever since!
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