Chambered Body, Electric Mandolin 2

The new emando has just gained some beautiful Koa sides. 

I’ve had this Koa in stock for donkey’s years and wanted to use it on something special. The sides have been laminated to the central core using epoxy resin, when you look at the core there is an awful lot of end grain to stick the sides to, so epoxy is clearly the best adhesive to use. And here's the video-

You’ll see in the video that when I glued the Koa on, those Kreg clamps that I mentioned in the previous post, got some use- not in a way that envisaged, but I’ve often found that once you’ve got a new piece of equipment, you end up using it in many ways that you hadn’t even thought of.

Chambered body, electric mandolin

With archtop #4 being polished and Allan’s emando completed, it’s time to start the next instrument! As this will be one of this year’s speculative builds (it will eventually be for sale via my website), I’ve decided to a make a new incarnation of my electric mandolin, this time with a chambered body. I like to feel that my instruments continually evolve and the idea of building an emando with more resonant body appeals, so here we go!

The preferred way of building a chambered body is, start with a solid body blank and remove large volumes of the wood with a forstner bit and router. This approach doesn’t appeal to me, as whenever I make anything, I prefer, where possible, to form it by fabrication i.e. bringing pieces together rather than wasting i.e. the removal of material. Hence this…….(made from Southern Yellow Pine)

And here’s a video to show you how I got this far. There is a lot of work in the construction of this inner core and you’ll appreciate the planning that went in to it. Of course, all of that work will never be seen, but hopefully the difference will be heard; I kinda like that!